The Big Wheel

The Big Wheel
I appear bigger in real life.

Thursday, June 12, 2008

New Orleans


Jackson Square

I can't say that I'm much of a world traveller. Oh, to be sure, working with Greyhound has certainly kept me on the move, and I've done a few charters that have taken me away from Toronto and it's environs; Montreal, Quebec city, New York and Boston being the main places I've visited on those occasions. I have always been accompanied by a camera but, since I was working my main concern was, naturally, for the bus and for my people (Ah yes, my people. How cool it sounds to have people of one's own.). But what that really means is sometimes I don't have as much time for myself as I might like, time to tool around and take pictures. New York is a prime example. I never had enough time to take advantage of the city, of Manhattan, of the sights. Often I had to stay with the bus when I wasn't shuttling the people from one place to another, but I took pictures when I was able.

I've also visited other places on vacations. I've been to Mexico, this is a number of years ago now, to the Yucatan Peninsula and visited Mayan ruins at Chichen Itza and Uxmal, also to the Grand Canyon and a number of incredibly beautiful sites in that area (I'm big on gorges and canyons don't you know). More recently, and with my friend Sid who lives on the west coast, I've visited Vancouver, British Columbia, toured a number of places there, as well as, on another trip, visiting again Vancouver and then traveling to Victoria BC. On that occasion we took a side trip to Seattle, Washington. Very nice. I might do a little piece on those locations at a later date. I love the west coast, land of mountains and water and beautiful forests. But there is another place I visited with my friend Sid, a special place, and this is New Orleans, Louisiana. I have to say N'Awlinz is one of the special places in the United States, and a place that has it's own distinctly different feel. When we visited the city our accommodations were in the old French Quarter and from there we walked and walked, explored the sights and the sounds as they say, stood on the banks of the Mississippi River and watched the paddle boats sail by, enjoyed the food (like dirty rice and beans with cajun sausage, and po'boy sandwiches. My thanks to Sid for remembering their names), and took a gazillion photographs.

On the road, passing a southern mansion

Now if you want a musical score to accompany this little story then I don't think that you could do much better than listening to Dr John's album 'N'Awlinz, Dis Dat and Dudda', or 'Goin' Back to New Orleans'. I listened to those albums quite a bit during the months preceding the trip. Or you might like to listen to some Allen Toussaint, or any of the other wonderful music and musicians which came from that area. If you're into a little more of a rocky mood you could do a lot worse than to listen to a bit of early Little Feat as well, Sailin' Shoes, or Dixie Chicken (from which the Dixie Chicks derived their name).

For us traveling is a pictorial odyssey. Both of us love the taking of photographs, it's a way that we use to explore our surroundings, and we have similar tastes in what we photograph as well, we are enchanted by many of the same things; the scenery of course, but old buildings and machines, particularly the broken down or broken in variety, the severely aged or decayed ones (dilapidation as I like to call it), and those quirky things which have a certain humour about them, and places of the macabre, graves and stones and quiet. Being from Canada, and from Ontario, the trip really was an eye opener, as travel should be, taking me out of myself. The city and the sites were wondrously foreign. Staying and photographing in the French Quarter was magic. And you could feel the age of the place. And all right, we didn't just photograph, we might even have gotten a bit 'Burboned on Drunk Street', and it was a gas.



It should be said that we ventured away from the city as well. New Orleans was the point of arrival for us as well as the point of departure when we had to head for home. We stayed there a couple of days and then rented a car and headed out into the south, that is north, traveling to places like Vicksburg, Mobile, and getting as far as Tennessee on a special pilgrimage, which I'll explain later. From there we started heading back to where we started from, in a great loop. We travelled back along the gulf coast for a while and saw the incredible amount of damage which Katrina had caused: causeways collapsed, whole strips of buildings just decimated, trees torn up. It was humbling. Me, being the driver, did the driving. Isn't that the typical busman's holiday? And then we returned to New Orleans and rested up before we had to leave. But N'Awlinz, I'll tell you, has a special enchantment. A certain je ne sais quoi, pardon my french.

My home town is Niagara Falls, Ontario. I've always considered it the universal hometown because just about everyone has heard of it. There has always been a carnival side to Niagara Falls, you can see it in the major touristed areas that are located just up the embankment and not far from the Falls and park itself, the major tourist area is called Clifton Hill. I jokingly refer to it as the dark side of Niagara Falls. Well, Bourbon street has that carnival atmosphere but more so. There is the shine of the cheap beads, the iron railings, holiday masks, gaudy colours, music filtering through the air, and just underneath it all the slightly sweet smell of decay.

One of the places that we most wanted to visit in town was St. Louis Cemetery #1, one of the three catholic cemeteries that share that name. It's location borders on the housing project which was built over the site of the old 'Storyville' which was the prostitution district of New Orleans. The place is also in an area of town that it's inadvisable to travel alone in, or at night. While we were there we heard about another shooting taking place in another St. Louis Cemetery, #3 I think it was.



The cemetery itself is a stone city surrounded by high stone walls. I found it a quiet place for contemplation and a magical place for photographing. Many of the pathways are strewn with crushed sea shells that crunch underfoot when you walk between the rows of tombs. There is an amazing variety in the architecture of the structures; it is a place of grand mausoleums and humble rubble topped grave crypts, single graves as well as family crypts, and again some that appear like row housing for the dead, all built above ground because of the height of the water table. And within the cemetery the grave we searched out is the one which belongs to the famous 'Voodoo Queen' Marie Laveau, who is interred in the Glapion family crypt.



It takes a bit of wandering to find. We had no road map of the site so I can't remember whether we just stumbled upon it or whether we asked someone as to it's location, but once you find it it is unmistakable, with offerings placed in front of the entranceway (candles, flowers, cigarettes, alcohol, beads, food) and the XXX markings on the side (which I found out were drawn there by people asking Marie to grant them a wish).



I certainly wouldn't mind going back to New Orleans again. Maybe this time to take a ride on the Natchez, the paddle steamer, and check out more of the surrounding area, maybe this time head into Florida and check out some sites there. No, I wouldn't mind that at all.

Oh, I almost forgot that I was going to tell you about the pilgrimage. Sorry, sometimes the mind wanders. When we were planning this trip Sid and I made a list of things we might like to see in the area and then we tried to fit them into an itinerary, well like Vicksburg Mississippi and the Civil War museum (with the Union gunboat Cairo under it's awning) and a number of others. Just throwing out a possible name and destination I suggested Lynchburg Tennessee. And why? Well, if you can't guess or don't know it happens to be the location of the Jack Daniels distillery. We went, we saw, we bought the mugs, and the whiskey. And, not because I'm mean or anything I'll defer that discussion on that until a later time because that's another story.

Wednesday, June 4, 2008

Playing through my music.

How to play through.

I've already written somewhere here that I'm listening to my music collection alphabetically. Sounds simple enough, right? Unfortunately it isn't. Even within the limited context of 'listening', provision has to be made from time to time for life to intervene or intrude on the 'playback' project. The course of play is then changed. How then do you get back to the project you might ask? I know there are people out there who will say 'Just do it!' and that, of course is the right answer, in most circumstances, but I started to think about those rules of play and what they might look like and, playing with the idea, came up with this...

I, Colin Campbell have initiated the project of playing through the entire alphabetical listing of songs that are currently on the hard drive of this computer (which is known as Hex). This has been done just for the heck of it. The order of songs to be played is, therefore, determined by it's place within the alphabetized list of songs that are found in the Music directory of iTunes on said hard drive of the computer and shall be played in that order.

An exception to the rule of play shall be when a specific 'album' or 'playlist' or 'song' has been selected for alternate play according to my whim.

When an alternate album or playlist has finished playing then playback shall default back to the next song in the alphabetized list, unless a further alternate is chosen, at which point the process repeats itself.

However, when compelled to listen to an individual song, as occasionally happens, the next song to be played following the completion of the chosen song shall be the one which directly follows it in the alphabetized list. This play will continue for no more than two (2) further songs when it shall revert to the next unplayed song in the interrupted alphabetic master list.

As in the case of classical music, titles from a same source may happen to appear in the alphabetical listing sequentially (even if not appearing in that listing in 'album' play order). These 'accidentals' or 'sequential titles' may be played through or they may be bypassed. If bypassed, play shall continue from the next alphabetic entry not of the sequence. This bypassing must occur within three songs of the sequence having started. If the sequence is past the third song then the whole of the sequence must be played through. Upon completion playback shall naturally default to the next song occurring in the master list.

Portions of the master list that have been recently played, for whatever reason, either as alternates or accidentals, or as generated by other rules may be skipped. Playback shall then continue from the next available song in the alphabetical listing.

Play may be interrupted at any time to listen to a new acquisition. Upon completion of play and if no other song, portion, or album selection is made, playback will default to the next song in the alphabetized master playlist and continue from there. Notwithstanding, new music comming in may but doesn't have to be played immediately.

Cloin has the right to terminate a song at any point following 7 seconds of play (You try to do it any faster).

He also has the right to change any of the rules that he has written at any time without notice. (It's always nice to provide yourself with a backdoor clause.)